

Karl produced Sting’s The Last Ship in 2020 at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent productions include: The Unfriend by Steven Moffat Criterion and Wyndhams, UK tour of Spike by Ian Hislop and Nick Newman, Dirty Dancing - The Classic Story On Stage (Dominion Theatre) and the world premiere of AVA: The Secret Conversations written by and starring Elizabeth McGovern (Riverside Studios) and also opening this spring at The Geffen Theatre Los Angeles.
Other recent theatre includes: An Hour and a Half Late (Theatre Royal Bath and UK tour); Noises Off (Lyric Hammersmith and Garrick, West End); The Light in the Piazza(Royal Festival Hall/LA Opera/Lyric Opera of Chicago); Toast (West End/UK tour); Sweat (Gielgud, West End - Evening Standard Award for Best Play); Valued Friends (Rose Theatre, Kingston); Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia); Alan Ayckbourn’s The Divide (The Old Vic and Edinburgh International Festival); David Hare’s The Moderate Soprano (Duke of York’s Theatre); and Sketching by James Graham (Wilton’s Music Hall), as well as Red Joan, a film featuring Dame Judi Dench, which premiered at the Toronto Film Festival produced with David Parfitt.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column,and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia).
Eleanor Bergstein is a novelist, screenwriter, producer and director. Her stories have been published in national magazines, ranging from Transatlantic Review to Redbook and Cosmopolitan. Her first novel, Advancing Paul Newman, about women and politics in the 1960’s, was published by the Viking Press, and her first movie script was It’s My Turn, starring Jill Clayburgh and Michael Douglas. Her second novel, Ex-Lover, about sexual obsession, was published by Random House. She has worked on a variety of film projects, including the final script revision of Sister Act. She then wrote and directed Let It Be Me, which starred Campbell Scott, Jennifer Beals, Leslie Caron and Patrick Stewart.
Her most famous project was one of the most successful independent films of all time – Dirty Dancing. The unique continuing response to the story all around the world with its multiple viewings of the film, persuaded her that what audiences really wanted was a chance to be more physically involved in the story as it happened. This would of course mean that its ultimate form should be theatrical. This led her to reimagine Dirty Dancing as a stage event, one that combined dance and story and music in a new way. It was also her chance to write additional scenes not in the movie, which expand the characters, as well as add songs she had wanted for the movie and been unable to obtain.
Ms. Bergstein, through her company, Magic Hour Productions, is finishing a memoir and preparing a TV series based on her first novel, Advancing Paul Newman, about young women in politics, and working on a new stage musical set in London in the late 1960's.
Theatre as Director: Andrew Lloyd Webber’s The Phantom of the Opera* (Trieste, Milan, Monte Carlo, Madrid), Bailo Bailo - El Musical* (Madrid), Dirty Dancing* (Phoenix and Dominion Theatres, West End), A Familia Addams* (São Paulo), Charlie and the Chocolate Factory* (Milan, Madrid, Spanish National Tour), Ghost* (Madrid, Italy, Mexico City, Spaniah National Tour), An American in Paris* (Genoa), Disney and Cameron Mackintosh’s Mary Poppins** (Milan, Rome), The Bodyguard** (Milan, Rome, Spain), West Side Story**(Milan, Genoa, Florence), Fame** (Milan. Also Translator), Disney’s Newsies (Milan), Dirty Dancing (Italy, Mexico, Spain, Belgium, UK, Ireland, Germany, France, Luxemburg, Monte Carlo, Switzerland, Austria), Sunset Boulevard** and American Bar** (Todi), Sugar – Based on the screenplay ‘Some Like It Hot’ (Italy), Titanic – The Tale of A Dream (Italy. Also Author and Composer), Flashdance (Italy),
Workshops as Director: Houdini** (New York), Sugar (London), Newsies
Theatre as Performer: Cinderella (Prince Charming), Caffè Esperanto (Lead), Hello, Dolly!. TV: Musical Awards, Amici, Sister Act -The Casting.
Previously Artistic Director for Nazionale and Brancaccio Theatres for Stage Entertainment. Winner of the Garinei and Giovannini Award as Best Italian Director for Musical Theatre in 2019.
*Also Set Designer. **Also Co-Executive Producer.
Austin, from Southend-on-Sea, Essex, trained at Whitehall Performing Arts and has enjoyed a diverse career spanning 20 years across theatre, television, and film. While he has since shifted his focus from performing, his notable credits include shows such as Moulin Rouge in Paris, Spirit of the Dance, and dancing with Eurovision winners Bucks Fizz at the Palladium. A career highlight was joining the West End cast of Dirty Dancing: The Classic Story On Stage at the Piccadilly Theatre. He would embark on various tours and West End runs thereafter, playing multiple roles, including the iconic Johnny Castle.
In 2021, Austin took on the role of choreographer for Dirty Dancing, and since then, the show has enjoyed two UK tours, two West End runs at the Dominion Theatre, and two European tours. His choreography continues to shape and elevate the production, and he is excited to be a key part of its success.
Beyond Dirty Dancing, Austin is a regular choreographer for East 15 Acting School and directed and choreographed Ballroom Blitz for Marella Cruises, which debuted in 2023. For more about Austin's work, including his latest project Ray of Light, visit austinwilks.com, or follow him on Instagram at instagram.com/austinjrwilks
Valerio was born in Spoleto, city of the "Festival of the Two Worlds" where he began his professional career and developed a passion for light in all forms and expressions. Today his extensive experience includes credits in opera, plays, ballet, fashion and architecture as well as many musical productions in Italy and worldwide.
In 2010 he made his debut at the Teatro alla Scala in Milan, for the ballet Immemoria and in 2014 his Broadway debut with the Italian production of Rugantino. He is also the Lighting Designer of the musical Dirty Dancing – The Classic Story on Stage and Ghost (West End, UK and International Tour, Mexico and Australia).
Major theatre credits include: Opera: Andrea Chenier (Teatro Lirico di Cagliari); Carmen; Ariadne auf Naxos; Due Foscari; Fidelio; Fledermaus (Maggio Musicale Fiore); Elisir D’Amore, Cenerentola, Flauto Magico, Barbiere di Siviglia (Teatro alla Scala); Fanciulla del (West Korea National Opera); Don Carlo (St.Gallen); Andrea Chenier (Modena, Toulon); Lucia di Lammermoor (Tenerife, Oviedo); Nabucco (Palermo); Idomeneo (Copenaghen); Le Malentendu (Sferisterio Opera Festival); Il Viaggio a Reims (Reims, Toulouse, Avignon, Marseille); Il Farnace (Florence); Fidelio, Fledermause (Maggio Musicale); Orfeo, Fille du Reggiment ( Cagliari); Hamlet (Saint Etienne).
Ballet includes: A Thousand Tales (Opera Dubai); La Valse, Immemoria; Histoire de Manon; Giselle (Teatro alla Scala); Beethoven Immortal Love (Astana); Alice in Wonderland (Tallinn); Swan Lake (Florence).
Since 2014 he has been technical supervisor and Lighting Designer of the ballet gala Roberto Bolle & Friends (Opera Rome, Arena Verona, Italian and International Tour).
Plays include: Van Gogh; Don Giovanni; Hamlet; XII Night; The Pleasure of Honest; The Merry Wives of Windsor; Cyrano de Bergerac and Constellations (National Theatre, Italy).
Musicals include: Dirty Dancing – The Classic Story on Stage (Germany), Dirty Dancing – The Classic Story on Stage (West End); Kinky Boots (Madrid); Charlie and the Chocolate Factory (Milan); Ghost (Madrid, Milan, Mexico city); Mary Poppins (Milan/Rome); Dirty Dancing – The Classic Story on Stage (UK & International tour); West Side Story (Genoa Opera House, Opera Florence); The Bodyguard; La Divina Commedia; Newsie; American Idiot; Rent; Next To Normal; Dirty Dancing - The Classic Story on Stage; Ghost; Frankenstein Jr; Priscilla; Gypsy; Cinderella; Happy Day; Cats; The Producers; Grease; Cabaret; Promise Promise; A Chorus Line; High School Musical (all Milan/Rome and Italian Tour); Pinocchio (Seoul & NYC); The Mission (Seoul); Flashdance (Stage Entertainment Italy); Rugantino (Rome, Milan and New York City).
Fashion shows include: Valentino; Ermenegildo Zegna; Krizia; Dolce and Gabban;, Il Gufo; Pal Zileri; Spyder; Neil Barret;, MM6; Capasa Milano; Elisabetta Franchi.
Awards include: Oscar Italiano Musical, Best Lighting Design 2015 (Frankenstein Jr) and 2016 (Cabaret).
Architecture and retail: Resident Lighting Design for San Gottardo Church in Milano for Veneranda Fabbrica del Duomo; Resident Lighting Design for Dolce and Gabbana Retail Store in NYC-Soho.
He was Associate Lighting Designer to the Teatro alla Scala from 2009 to 2018.
Since 2006 he has taught Lighting Design to the Accademia Teatro alla Scala.
Chris’ interest in sound began from a young age compounded by spending two seasons with the National Youth Theatre working on The Threepenny Opera and Immaculate Conceit (The Lyric Theatre, Hammersmith). He has worked in various fields of the sound industry, working with numerous mainstream bands and artists, and with Orchestras such as the Birmingham Symphony Orchestra and the Royal Philharmonic.
Chris has worked extensively throughout the world, his design credits include: Allegiance the Musical (Charing Cross Theatre,London); Dirty Dancing – The Classic Story on Stage (Dominion Theatre London); West Side Story (Križanke Theatre, Ljubljana); Carousel and Half a Sixpence (Kilworth House Theatre); Rehab the Musical (The Playground Theatre, London); Dreamboats and Petticoats (UK Tour); Footloose (UK Tour); But I’m a Cheerleader (Turbine Theatre); Top Hat (The Mill, Sonning); Chicago (Ljublijana Festival); Cats (Kilworth House Theatre); Falsettos (The Other Palace, London); American Idiot (Arts Theatre, London and UK Tour) Winner of BWW Award for ‘Best Sound Design’; Madagascar the Musical (UK Tour); The Producers (International Tour); TriOperas (The Peacock Theatre, London); Thriller Live (West End, Worldwide Theatre/Arena Tours); Guys and Dolls, Joseph and The Amazing Technicolor Dreamcoat (Kilworth House Theatre); Knights of the Rose (Arts Theatre, London); Our House (UK Tour); Top Hat and Kiss Me, Kate (Kilworth House Theatre); Aladdin and Jack and the Beanstalk (New Wimbledon Theatre); Ricky Gervais Humanity Tour (European Arenas); Thoroughly Modern Millie (Kilworth House Theatre); West Side Story (Kilworth House Theatre); The Wizard of Oz (Blackpool, Winter Gardens); Wonderland (UK Tour); Legally Blonde and Singin’ In The Rain (Kilworth House Theatre); 20th Century Boy The Musical (UK Tours and Coventry, Belgrade); Sleeping Beauty (New Victoria Theatre, Woking); Aladdin and Dick Whittington (Stoke, Regent Theatre); South Pacific and Sister Act (Kilworth House Theatre); Sleeping Beauty (Aylesbury, Waterside); My Fair Lady and Anything Goes (Kilworth House Theatre); Peter Pan (Manchester Opera House); The Sound of Music and Me and My Girl (Kilworth House Theatre); Christmas with the Rat Pack Live from Las Vegas (Wyndham’s Theatre, London); Little Shop of Horrors, The Pirates of Penzance and Guys and Dolls (Kilworth House Theatre); The Rat Pack Live from Las Vegas (The Adelphi Theatre, London).
Other credits include: Anne-Marie (International Arena Tours and Festivals); British Summer Time, Hyde Park 2017/18/19; Wildlife Festival 2017; Sentebale, Kensington Palace; UCI2016 Track Cycling World Championships; Glasgow 2014 Commonwealth Games; London 2012 Olympics and Paralympics, Velodrome; BAKU European Games HAA Arena; Opening and Closing Ceremonies Invictus Games 2014; Birmingham Symphony Orchestra, Warwick Castle; Jaguar XE Car Launch Earls Court; The Royal Philharmonic Orchestra, Warwick Castle; A Night at the Opera(UK Tour);Dancing in the Streets (Munich, Scandinavia and UK Tour); Swan Lake on Ice (UK Tour); What a Feeling (UK Tour); Sweet Soul Music (UK Tour); The Rat Pack Live from Las Vegas (UK Tour); Vega 4 (Ireland and UK Tour); Hybrid (Global Gathering); John Mayall and The Blues breakers (UK Tour); Glen Campbell (UK Tour).
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.
Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.
Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).
In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.
The first major new studio in decades, Lionsgate is a global content platform whose films, television series, digital products and linear and over-the-top platforms reach next generation audiences around the world. In addition to its filmed entertainment leadership, Lionsgate content drives a growing presence in interactive and location-based entertainment, gaming, virtual reality and other new entertainment technologies. Lionsgate’s content initiatives are backed by a 16,000-title film and television library and delivered through a global licensing infrastructure. The Lionsgate brand is synonymous with original, daring and ground-breaking content created with special emphasis on the evolving patterns and diverse composition of the Company’s worldwide consumer base.
We take the privacy of our visitors seriously. This Privacy Policy document contains types of information that is collected and recorded by dirtydancingonstage.com and how we use it.
If you have additional questions or require more information about our Privacy Policy, do not hesitate to contact us.
This Privacy Policy applies only to our online activities and is valid for visitors to our website with regards to the information that they shared and/or collect in dirtydancingonstage.com. This policy is not applicable to any information collected offline or via channels other than this website
By using our website, you hereby consent to our Privacy Policy and agree to its terms.
The personal information that you are asked to provide, and the reasons why you are asked to provide it, will be made clear to you at the point we ask you to provide your personal information.
If you contact us directly, we may receive additional information about you such as your name, email address, phone number, the contents of the message and/or attachments you may send us, and any other information you may choose to provide.
When you register for an Account, we may ask for your contact information, including items such as name, company name, address, email address, and telephone number.
We use the information we collect in various ways, including to:
dirtydancingonstage.com follows a standard procedure of using log files. These files log visitors when they visit websites. All hosting companies do this and a part of hosting services' analytics. The information collected by log files include internet protocol (IP) addresses, browser type, Internet Service Provider (ISP), date and time stamp, referring/exit pages, and possibly the number of clicks. These are not linked to any information that is personally identifiable. The purpose of the information is for analyzing trends, administering the site, tracking users' movement on the website, and gathering demographic information.
Like any other website, dirtydancingonstage.com uses 'cookies'. These cookies are used to store information including visitors' preferences, and the pages on the website that the visitor accessed or visited. The information is used to optimize the users' experience by customizing our web page content based on visitors' browser type and/or other information.
You may consult this list to find the Privacy Policy for each of the advertising partners of dirtydancingonstage.com.
Third-party ad servers or ad networks uses technologies like cookies, JavaScript, or Web Beacons that are used in their respective advertisements and links that appear on dirtydancingonstage.com, which are sent directly to users' browser. They automatically receive your IP address when this occurs. These technologies are used to measure the effectiveness of their advertising campaigns and/or to personalize the advertising content that you see on websites that you visit.
Note that dirtydancingonstage.com has no access to or control over these cookies that are used by third-party advertisers.
dirtydancingonstage.com's Privacy Policy does not apply to other advertisers or websites. Thus, we are advising you to consult the respective Privacy Policies of these third-party ad servers for more detailed information. It may include their practices and instructions about how to opt-out of certain options.
You can choose to disable cookies through your individual browser options. To know more detailed information about cookie management with specific web browsers, it can be found at the browsers' respective websites.
Under the CCPA, among other rights, California consumers have the right to:
Request that a business that collects a consumer's personal data disclose the categories and specific pieces of personal data that a business has collected about consumers.
Request that a business delete any personal data about the consumer that a business has collected.
Request that a business that sells a consumer's personal data, not sell the consumer's personal data.
If you make a request, we have one month to respond to you. If you would like to exercise any of these rights, please contact us.
We would like to make sure you are fully aware of all of your data protection rights. Every user is entitled to the following:
The right to access – You have the right to request copies of your personal data. We may charge you a small fee for this service.
The right to rectification – You have the right to request that we correct any information you believe is inaccurate. You also have the right to request that we complete the information you believe is incomplete.
The right to erasure – You have the right to request that we erase your personal data, under certain conditions.
The right to restrict processing – You have the right to request that we restrict the processing of your personal data, under certain conditions.
The right to object to processing – You have the right to object to our processing of your personal data, under certain conditions.
The right to data portability – You have the right to request that we transfer the data that we have collected to another organization, or directly to you, under certain conditions.
If you make a request, we have one month to respond to you. If you would like to exercise any of these rights, please contact us.
Another part of our priority is adding protection for children while using the internet. We encourage parents and guardians to observe, participate in, and/or monitor and guide their online activity.
dirtydancingonstage.com does not knowingly collect any Personal Identifiable Information from children under the age of 13. If you think that your child provided this kind of information on our website, we strongly encourage you to contact us immediately and we will do our best efforts to promptly remove such information from our records.
You can at any time change or withdraw your consent from the Cookie Declaration on our website
Learn more about who we are, how you can contact us, and how we process personal data in our Privacy Policy.
Your consent applies to the following domains: dirtydancingonstage.co.uk
The third-party cookies used on our website are mainly for understanding how the website performs, how you interact with our website, keeping our services secure, providing advertisements that are relevant to you, and all in all providing you with a better and improved user experience and help speed up your future interactions with our website.
Statistics: These cookies store information like the number of visitors to the website, the number of unique visitors, which pages of the website have been visited, the source of the visit, etc. These data help us understand and analyze how well the website performs and where it needs improvement.
Marketing: Our website displays advertisements. These cookies are used to personalize the advertisements that we show to you so that they are meaningful to you. These cookies also help us keep track of the efficiency of these ad campaigns.
The information stored in these cookies may also be used by the third-party ad providers to show you ads on other websites on the browser as well.
Functional: These are the cookies that help certain non-essential functionalities on our website. These functionalities include embedding content like videos or sharing content of the website on social media platforms.
Preferences: These cookies help us store your settings and browsing preferences like language preferences so that you have a better and efficient experience on future visits to the website.
The below list details the cookies used in our website.
Cookie | Description |
---|---|
_ga | The _ga cookie, installed by Google Analytics, calculates visitor, session and campaign data and also keeps track of site usage for the site's analytics report. The cookie stores information anonymously and assigns a randomly generated number to recognize unique visitors. |
_ga_LEBFMSQC83 | This cookie is installed by Google Analytics. |
_gat_gtag_UA_57228194_22 | Set by Google to distinguish users. |
_gid | Installed by Google Analytics, _gid cookie stores information on how visitors use a website, while also creating an analytics report of the website's performance. Some of the data that are collected include the number of visitors, their source, and the pages they visit anonymously. |
cookielawinfo-checkbox-advertisement | Set by the GDPR Cookie Consent plugin, this cookie is used to record the user consent for the cookies in the "Advertisement" category . |
cookielawinfo-checkbox-analytics | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics". |
cookielawinfo-checkbox-functional | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". |
cookielawinfo-checkbox-necessary | This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". |
cookielawinfo-checkbox-others | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. |
cookielawinfo-checkbox-performance | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance". |
CookieLawInfoConsent | Records the default button state of the corresponding category & the status of CCPA. It works only in coordination with the primary cookie. |
viewed_cookie_policy | The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data. |
In addition to this, different browsers provide different methods to block and delete cookies used by websites. You can change the settings of your browser to block/delete the cookies. To find out more about how to manage and delete cookies, visit wikipedia.org, www.allaboutcookies.org.
Cookie | Duration | Description |
---|---|---|
cookielawinfo-checkbox-advertisement | 1 year | Set by the GDPR Cookie Consent plugin, this cookie is used to record the user consent for the cookies in the "Advertisement" category . |
cookielawinfo-checkbox-analytics | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Analytics". |
cookielawinfo-checkbox-functional | 11 months | The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". |
cookielawinfo-checkbox-necessary | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". |
cookielawinfo-checkbox-others | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. |
cookielawinfo-checkbox-performance | 11 months | This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Performance". |
CookieLawInfoConsent | 1 year | Records the default button state of the corresponding category & the status of CCPA. It works only in coordination with the primary cookie. |
viewed_cookie_policy | 11 months | The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. It does not store any personal data. |
Cookie | Duration | Description |
---|---|---|
_ga | session | The _ga cookie, installed by Google Analytics, calculates visitor, session and campaign data and also keeps track of site usage for the site's analytics report. The cookie stores information anonymously and assigns a randomly generated number to recognize unique visitors. |
_ga_LEBFMSQC83 | session | This cookie is installed by Google Analytics. |
_gat_gtag_UA_57228194_22 | session | Set by Google to distinguish users. |
_gid | session | Installed by Google Analytics, _gid cookie stores information on how visitors use a website, while also creating an analytics report of the website's performance. Some of the data that are collected include the number of visitors, their source, and the pages they visit anonymously. |