Cast & Creatives - Dirty Dancing

Michael O'Reilly

Johnny Castle

Theatre credits: Johnny Castle in Dirty Dancing - The Classic Story On Stage (Dominion Theatre); Diesel in West Side Story (Leicester Curve); Johnny Castle in Dirty Dancing – The Classic Story On Stage (UK Tour); Matthew Bourne’s Lord Of The Flies (Theatre Royal, Plymouth).

Television credits: Doctors (BBC).

Michael is very excited to be returning to the show where he made his professional debut and is grateful to his family, friends and agents for their constant love and support.

Instagram: @michaeloreilly._

Taryn Sudding

Marjorie Houseman

Other theatre credits: Alice in Seven Brides for Seven Brothers (SACPAC Tour); Dorothy in The Wizard of Oz (PACOFS); Jack understudy in Jack and the Beanstalk (CAPAB); Frenchy understudy in Grease (Richard Loring); Diana, Bebe, Maggie, Val, Cassie understudy in A Chorus Line (SACPAC tour); Gertie Cummings in Oklahoma (SACPAC Tour); Sally understudy in Me and My Girl (PACT); Anne Frank in Yours Anne (CAPAB); Sister Mary Leo in Nunsense (Pieter Toerien); Anne in La Cage Aux Folles (Civic Theatre); Miranda in Return to the Forbidden Planet (Natal Playhouse) – Vita Award for Best Supporting Actress, Angie in Summer Holiday (SAPAC Tour); Soul Girl in Jesus Christ Superstar (PACT); Dorothy in The Wizard of Oz (PACT); Janet in The Rocky Horror Picture Show (Civic Theatre); Grace Farrel in Annie (Civic Theatre) - Vita Award Nomination for Best Supporting Actress, Bombalurina in Cats (South Africa, Malaysia Tour, Beirut Tour for Pieter Toerien and Really Useful); The Chorus Girl in The Chorus Girl (Chekov Festival); Bombalurina in Cats (Athens Tour for Pieter Toerien and Really Useful); Gertie in Noel and Gertie (Pieter Toerien) – Fleur Nomination, Mary and alternate Norma Desmond in Sunset Boulevard (Pieter Toerien) - Naledi Nomination, Elsa Shraeder in The Sound of Music (South Africa, Singapore, New Zealand, China, Hong Kong, Jakarta for Pieter Toerien) – Fleur Nomination, Bombalurina in Cats (South Korea for The Really Useful Group) and Grace Farrell in Annie – Fleur du Cap winner for Best Supporting Actress (Pieter Toerien).

Film includes: Annie in Panic Mechanic (Leon Schuster), Gina in The Little Unicorn (Peakviewing Productions), Isabel in In Light of Is (Jen Mostert and Sabine Bittle).

Television includes: The Game (TV2); Stolen Lives (TV2); A O Utwile (SABC); Kideo – presenter (Louise Smit Productions – SABC); Avenues (A&P Productions – SABC); Infokey – presenter (DSTV); Merle in Snitch (Endemol -MNET); Jozi H (SABC); Binnelanders (Stark Films); Life is Wild (Paramount Pictures); Innocent Times (Shoot the Moon); The Lab II (Curious Pictures); SAF 3 (Patsy Pictures).

Other credits include: Voice artist for various advertising campaigns including, Coca cola, Pepsi, DSTV, Virgin Atlantic, Nivea, Dove, FNB, Standard Bank and Maybeline International Campaign as American voice artist for South Africa. Lead recording artist for The Clamber Club albums and Guest Artist on the Beautiful Creatures of the Sea album.

Taryn is thrilled to be touring again and joining the cast of Dirty Dancing.

Richard John

Supervising Musical Director / Kellerman's Band

Theatre credits as Conductor and Musical Director in the UK include: Local Hero (Chichester Festival Theatre); Dirty Dancing – The Classic Story On Stage (Dominion Theatre and Piccadilly Theatre); The Last Ship (Northern Stage/UK tour, Toronto, USA tour); How The Grinch Stole Christmas (UK tour); Falsettos (The Other Palace); Charlie and the Chocolate Factory (Associate Conductor, Theatre Royal, Drury Lane); Sinatra (London Palladium); Dirty Rotten Scoundrels and Legally Blonde (Savoy Theatre); Desperately Seeking Susan (AMD, Novello Theatre); and numerous engagements in Australia and internationally.

Music Supervision includes: Assassins (Chichester Festival Theatre); Legally Blonde (UK tour and productions in Sydney, Brisbane, Melbourne and Vienna); Dirty Rotten Scoundrels (UK tour); and Supervising Music Director for the West End and European/UK tours of Dirty Dancing.

Composition credits include: The Centre, The Adventures of Sinbad the Sailor, The Wind in the Willows (published by The Australian Script Centre); Old Mother Hubbard (Black Swan Press); The Legend of Snow White (Hayman Theatre, Australia); Kiss of the Spider Woman (Sevenoaks Playhouse); Deadly Game (Vienna’s English Theatre); Mrs Warren’s Profession, The Importance of Being Earnest (English Theatre of Hamburg); The Railway Children (published by Samuel French); The Teddy Bears Picnic (UK tour); Comrade Rockstar (SG Records).

Recordings include: Composer and producer for Comrade Rockstar (original cast album); composer and conductor for The Railway Children (original cast album); keyboards for Legally Blonde (West End cast recording); vocal arranger for Collabro Stars (Sony) and Collabro: Act 2 (Sony).

Television includes: The Grinch Live (NBC/Sky Arts).

Richard received honours degrees in music (piano performance) and music education from the University of Western Australia, winning numerous awards including the Creative Development Fellowship (Arts Council of Western Australia).

KARL SYDOW

PRODUCER

Karl produced Sting’s The Last Ship in 2020 at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent productions include: The Unfriend by Steven Moffat Criterion and Wyndhams, UK tour of Spike by Ian Hislop and Nick Newman, Dirty Dancing - The Classic Story On Stage (Dominion Theatre) and the world premiere of AVA: The Secret Conversations written by and starring Elizabeth McGovern (Riverside Studios) and also opening this spring at The Geffen Theatre Los Angeles.

Other recent theatre includes: An Hour and a Half Late (Theatre Royal Bath and UK tour); Noises Off (Lyric Hammersmith and Garrick, West End); The Light in the Piazza(Royal Festival Hall/LA Opera/Lyric Opera of Chicago); Toast (West End/UK tour); Sweat (Gielgud, West End - Evening Standard Award for Best Play); Valued Friends (Rose Theatre, Kingston); Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia); Alan Ayckbourn’s The Divide (The Old Vic and Edinburgh International Festival); David Hare’s The Moderate Soprano (Duke of York’s Theatre); and Sketching by James Graham (Wilton’s Music Hall), as well as Red Joan, a film featuring Dame Judi Dench, which premiered at the Toronto Film Festival produced with David Parfitt.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column,and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia).

Valerio Tiberi

Lighting Designer

Valerio was born in Spoleto, city of the "Festival of the Two Worlds" where he began his professional career and developed a passion for light in all forms and expressions. Today his extensive experience includes credits in opera, plays, ballet, fashion and architecture as well as many musical productions in Italy and worldwide.

In 2010 he made his debut at the Teatro alla Scala in Milan, for the ballet Immemoria and in 2014 his Broadway debut with the Italian production of Rugantino. He is also the Lighting Designer of the musical Dirty Dancing – The Classic Story on Stage and Ghost (West End, UK and International Tour, Mexico and Australia).

Major theatre credits include: Opera: Andrea Chenier (Teatro Lirico di Cagliari); Carmen; Ariadne auf Naxos; Due Foscari; Fidelio; Fledermaus (Maggio Musicale Fiore); Elisir D’Amore, Cenerentola, Flauto Magico, Barbiere di Siviglia (Teatro alla Scala); Fanciulla del (West Korea National Opera); Don Carlo (St.Gallen); Andrea Chenier (Modena, Toulon); Lucia di Lammermoor (Tenerife, Oviedo); Nabucco (Palermo); Idomeneo (Copenaghen); Le Malentendu (Sferisterio Opera Festival); Il Viaggio a Reims (Reims, Toulouse, Avignon, Marseille); Il Farnace (Florence); Fidelio, Fledermause (Maggio Musicale); Orfeo, Fille du Reggiment ( Cagliari); Hamlet (Saint Etienne).

Ballet includes: A Thousand Tales (Opera Dubai); La Valse, Immemoria; Histoire de Manon; Giselle (Teatro alla Scala); Beethoven Immortal Love (Astana); Alice in Wonderland (Tallinn); Swan Lake (Florence).

Since 2014 he has been technical supervisor and Lighting Designer of the ballet gala Roberto Bolle & Friends (Opera Rome, Arena Verona, Italian and International Tour).

Plays include: Van Gogh; Don Giovanni; Hamlet; XII Night; The Pleasure of Honest; The Merry Wives of Windsor; Cyrano de Bergerac and Constellations (National Theatre, Italy).

Musicals include: Dirty Dancing – The Classic Story on Stage (Germany), Dirty Dancing – The Classic Story on Stage (West End); Kinky Boots (Madrid); Charlie and the Chocolate Factory (Milan); Ghost (Madrid, Milan, Mexico city); Mary Poppins (Milan/Rome); Dirty Dancing – The Classic Story on Stage (UK & International tour); West Side Story (Genoa Opera House, Opera Florence); The Bodyguard; La Divina Commedia; Newsie; American Idiot; Rent; Next To Normal; Dirty Dancing - The Classic Story on Stage; Ghost; Frankenstein Jr; Priscilla; Gypsy; Cinderella; Happy Day; Cats; The Producers; Grease; Cabaret; Promise Promise; A Chorus Line; High School Musical (all Milan/Rome and Italian Tour); Pinocchio (Seoul & NYC); The Mission (Seoul); Flashdance (Stage Entertainment Italy); Rugantino (Rome, Milan and New York City).

Fashion shows include: Valentino; Ermenegildo Zegna; Krizia; Dolce and Gabban;, Il Gufo; Pal Zileri; Spyder; Neil Barret;, MM6; Capasa Milano; Elisabetta Franchi.

Awards include: Oscar Italiano Musical, Best Lighting Design 2015 (Frankenstein Jr) and 2016 (Cabaret).

Architecture and retail: Resident Lighting Design for San Gottardo Church in Milano for Veneranda Fabbrica del Duomo; Resident Lighting Design for Dolce and Gabbana Retail Store in NYC-Soho.

He was Associate Lighting Designer to the Teatro alla Scala from 2009 to 2018.

Since 2006 he has taught Lighting Design to the Accademia Teatro alla Scala.

Chris Whybrow

Sound Designer

Chris’ interest in sound began from a young age compounded by spending two seasons with the National Youth Theatre working on The Threepenny Opera and Immaculate Conceit (The Lyric Theatre, Hammersmith). He has worked in various fields of the sound industry, working with numerous mainstream bands and artists, and with Orchestras such as the Birmingham Symphony Orchestra and the Royal Philharmonic.

Chris has worked extensively throughout the world, his design credits include: Allegiance the Musical (Charing Cross Theatre,London); Dirty Dancing – The Classic Story on Stage (Dominion Theatre London); West Side Story (Križanke Theatre, Ljubljana); Carousel and Half a Sixpence (Kilworth House Theatre); Rehab the Musical (The Playground Theatre, London); Dreamboats and Petticoats (UK Tour); Footloose (UK Tour); But I’m a Cheerleader (Turbine Theatre); Top Hat (The Mill, Sonning); Chicago (Ljublijana Festival); Cats (Kilworth House Theatre); Falsettos (The Other Palace, London); American Idiot (Arts Theatre, London and UK Tour) Winner of BWW Award for ‘Best Sound Design’; Madagascar the Musical (UK Tour); The Producers (International Tour); TriOperas (The Peacock Theatre, London); Thriller Live (West End, Worldwide Theatre/Arena Tours); Guys and Dolls, Joseph and The Amazing Technicolor Dreamcoat (Kilworth House Theatre); Knights of the Rose (Arts Theatre, London); Our House (UK Tour); Top Hat and Kiss Me, Kate (Kilworth House Theatre); Aladdin and Jack and the Beanstalk (New Wimbledon Theatre); Ricky Gervais Humanity Tour (European Arenas); Thoroughly Modern Millie (Kilworth House Theatre); West Side Story (Kilworth House Theatre); The Wizard of Oz (Blackpool, Winter Gardens); Wonderland (UK Tour); Legally Blonde and Singin’ In The Rain (Kilworth House Theatre); 20th Century Boy The Musical (UK Tours and Coventry, Belgrade); Sleeping Beauty (New Victoria Theatre, Woking); Aladdin and Dick Whittington (Stoke, Regent Theatre); South Pacific and Sister Act (Kilworth House Theatre); Sleeping Beauty (Aylesbury, Waterside); My Fair Lady and Anything Goes (Kilworth House Theatre); Peter Pan (Manchester Opera House); The Sound of Music and Me and My Girl (Kilworth House Theatre); Christmas with the Rat Pack Live from Las Vegas (Wyndham’s Theatre, London); Little Shop of Horrors, The Pirates of Penzance and Guys and Dolls (Kilworth House Theatre); The Rat Pack Live from Las Vegas (The Adelphi Theatre, London).

Other credits include: Anne-Marie (International Arena Tours and Festivals); British Summer Time, Hyde Park 2017/18/19; Wildlife Festival 2017; Sentebale, Kensington Palace; UCI2016 Track Cycling World Championships; Glasgow 2014 Commonwealth Games; London 2012 Olympics and Paralympics, Velodrome; BAKU European Games HAA Arena; Opening and Closing Ceremonies Invictus Games 2014; Birmingham Symphony Orchestra, Warwick Castle; Jaguar XE Car Launch Earls Court; The Royal Philharmonic Orchestra, Warwick Castle; A Night at the Opera(UK Tour);Dancing in the Streets (Munich, Scandinavia and UK Tour); Swan Lake on Ice (UK Tour); What a Feeling (UK Tour); Sweet Soul Music (UK Tour); The Rat Pack Live from Las Vegas (UK Tour); Vega 4 (Ireland and UK Tour); Hybrid (Global Gathering); John Mayall and The Blues breakers (UK Tour); Glen Campbell (UK Tour).

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

KARL SYDOW

PRODUCER

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

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Information we collect

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How we use your information

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Log Files

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Third Party Privacy Policies

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CCPA Privacy Rights (Do Not Sell My Personal Information)

Under the CCPA, among other rights, California consumers have the right to:

Request that a business that collects a consumer's personal data disclose the categories and specific pieces of personal data that a business has collected about consumers.

Request that a business delete any personal data about the consumer that a business has collected.

Request that a business that sells a consumer's personal data, not sell the consumer's personal data.

If you make a request, we have one month to respond to you. If you would like to exercise any of these rights, please contact us.

GDPR Data Protection Rights

We would like to make sure you are fully aware of all of your data protection rights. Every user is entitled to the following:

The right to access – You have the right to request copies of your personal data. We may charge you a small fee for this service.

The right to rectification – You have the right to request that we correct any information you believe is inaccurate. You also have the right to request that we complete the information you believe is incomplete.

The right to erasure – You have the right to request that we erase your personal data, under certain conditions.

The right to restrict processing – You have the right to request that we restrict the processing of your personal data, under certain conditions.

The right to object to processing – You have the right to object to our processing of your personal data, under certain conditions.

The right to data portability – You have the right to request that we transfer the data that we have collected to another organization, or directly to you, under certain conditions.

If you make a request, we have one month to respond to you. If you would like to exercise any of these rights, please contact us.

Children's Information

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About this cookie policy

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How do we use cookies ?

As most of the online services, our website uses first-party and third-party cookies for several purposes. First-party cookies are mostly necessary for the website to function the right way, and they do not collect any of your personally identifiable data.

The third-party cookies used on our website are mainly for understanding how the website performs, how you interact with our website, keeping our services secure, providing advertisements that are relevant to you, and all in all providing you with a better and improved user experience and help speed up your future interactions with our website.

What types of cookies do we use ?

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