Cast & Creative - Dirty Dancing

JOHNNY CASTLE

MICHAEL O'REILLY

Theatre credits: Johnny Castle in Dirty Dancing - The Classic Story On Stage (Dominion Theatre); Diesel in West Side Story (Leicester Curve); Johnny Castle in Dirty Dancing – The Classic Story On Stage (UK Tour); Matthew Bourne’s Lord Of The Flies (Theatre Royal, Plymouth).

Television credits: Doctors (BBC).

Michael is very excited to be returning to the show where he made his professional debut and is grateful to his family, friends and agents for their constant love and support.

Instagram: @michaeloreilly._

KELLERMAN'S BAND / Supervising Musical Director

Richard John

Theatre credits as Conductor and Musical Director in the UK include Local Hero (Chichester Festival Theatre); Dirty Dancing (Dominion Theatre & Piccadilly Theatre); The Last Ship (Northern Stage/UK tour, Toronto, USA tour); How The Grinch Stole Christmas (UK tour); Falsettos (The Other Palace); Charlie And The Chocolate Factory (Associate Conductor, Theatre Royal, Drury Lane); Sinatra (London Palladium); Dirty Rotten Scoundrels and Legally Blonde (Savoy Theatre); Desperately Seeking Susan (AMD, Novello Theatre); and numerous engagements in Australia and internationally.

Music Supervision includes Legally Blonde (UK tour and productions in Sydney, Brisbane, Melbourne and Vienna); Dirty Rotten Scoundrels (UK tour); and Supervising Music Director for the West End and European/UK tours of Dirty Dancing.

Composition credits include: The Centre, The Adventures of Sinbad the Sailor, The Wind In The Willows (published by The Australian Script Centre); Old Mother Hubbard (Black Swan Press); The Legend of Snow White (Hayman Theatre, Australia); Kiss of the Spider Woman (Sevenoaks Playhouse); Deadly Game (Vienna’s English Theatre); Mrs Warren’s Profession, The Importance of Being Earnest (English Theatre of Hamburg); The Railway Children(published by Samuel French); The Teddy Bears Picnic (UK tour); Comrade Rockstar (SG Records).

Recordings include: Composer and producer for Comrade Rockstar (original cast album); composer and conductor for The Railway Children (original cast album); keyboards for Legally Blonde (West End cast recording); vocal arranger for Collabro Stars (Sony) and Collabro: Act 2 (Sony)

Television includes: The Grinch Live (NBC/Sky Arts)

Richard received honours degrees in music (piano performance) and music education from the University of Western Australia, winning numerous awards including the Creative Development Fellowship (Arts Council of Western Australia).

In addition to his work as a Musical Director, Richard is currently Head of Music at the East 15 Acting School (University of Essex).

SUPERVISING MUSICAL DIRECTOR

RICHARD JOHN

Richard received honours degrees in music and music education from the University of Western Australia, winning numerous awards for performance and education, including the prestigious Creative Development Fellowship (Arts Council of Western Australia) .

As Music Director credits include: Sinatra (London Palladium), Dirty Rotten Scoundrels (Savoy Theatre); Dirty Dancing (Piccadilly Theatre); Legally Blonde (Savoy Theatre); Desperately Seeking Susan (Novello Theatre); Corrugation Road (Black Swan Theatre, Australian national tour); The Small Poppies (Company B, Australian national tour); 2 Pianos 4 Hands (StageWorks, Australian/New Zealand/ Hong Kong tour) and The Midnight Gang (Western Australian Symphony Orchestra/Spare Parts Theatre, Australia).

Richard continued his association with Legally Blonde as Music Supervisor for the UK National tour and productions in Sydney, Brisbane, Melbourne and Vienna, and was appointed Music Supervisor for the UK National Tour of Dirty Rotten Scoundrels. Richard is currently a conductor of Charlie And The Chocolate Factory at the Theatre Royal, Drury Lane.

In collaboration with writer Julian Woolford, he has written musicals based on The Wind in the Willows, The Railway Children (published by Samuel French Ltd), additional music for the forthcoming release of Lionel Bart’s Twang!! (published by Josef Weinberger) and the original musical Comrade Rockstar.

Other theatrical compositions include The Centre, The Adventures of Sinbad the Sailor, The Legend of Snow White (Hayman Theatre, Australia); Kiss of the Spider Woman (Sevenoaks Playhouse); Deadly Game(Vienna’s English Theatre); Mrs Warren’s Profession, The Importance of Being Earnest (English Theatre of Hamburg) and the podcast musical Terminal Four Play (Theatre503).

Together with Julian Woolford and Andrew Niederman, Richard is currently developing a musical adaptation of The Devil’s Advocate. An album featuring the music of Comrade Rockstar is due for release in July 2016.

LIGHTNING DESIGNER

VALERIO TIBERI

Valerio was born in Spoleto, city of the "Festival of the Two Worlds" where he began his professional career and developed a passion for light in all forms and expressions. Today Valerio has to his credit multiple experiences from Opera, Play, Ballet, Fashion & Architectural and a prolific collaboration with Musical productions in Italy and Worldwide.

In 2010 his debut at the Teatro alla Scala in Milan, for the ballet Immemoria and in 2014 his Broadway debut with the Italian production of Rugantino. He is also the lighting designer of the Musical Dirty Dancing and Ghost in the West End, UK and International Tour, Mexico and Australia.

Major theatre credits include: Opera: Ariadne auf Naxos; Due Foscari; Fidelio; Fledermaus (Maggio Musicale Fiore); Elisir D’Amore, Cenerentola, Flauto Magico, Barbiere di Siviglia (Teatro alla Scala); Fanciulla del (West Korea National Opera); Don Carlo (St.Gallen); Andrea Chenier (Modena, Toulon); Lucia di Lammermoor (Tenerife, Oviedo); Nabucco (Palermo); Idomeneo (Copenaghen); Le Malentendu (Sferisterio Opera Festival); Il Viaggio a Reims (Reims, Toulouse, Avignone, Marseille); Il Farnace (Florence); Fidelio, Fledermause (Maggio Musicale); Orfeo, Fille du Reggiment ( Cagliari); Hamlet (Saint Etienne).

Ballet includes: La Valse, Immemoria; Histoire de Manon; Giselle (Teatro alla Scala); Beethoven Immortal Love (Astana); Alice in Wonderland (Tallinn); Swan Lake (Florence).

Since 2014 he is technical supervisor and Lighting Designer of the Ballet Gala Roberto Bolle & Friends (Opera Rome, Arena Verona, Italian and International Tour).

Plays include: Van Gogh; Don Giovanni; Hamlet; XII Night; The Pleasure of Honest; The Merry Wives of Windsor; Cyrano de Bergerac; Constellations (National Theatre, Italy).

Musicals include: Dirty Dancing (West End); Kinky Boots (Madrid); Charlie and the Chocolate Factory (Milan); Ghost (Madrid, Milan, Mexico city); Mary Poppins (Milan/Rome); Dirty Dancing (UK & International tour); West Side Story (Genoa Opera House, Opera Florence); The Bodyguard; La Divina Commedia; Newsie;, American Idiot; Rent; Next To Normal; Dirty Dancing; Ghost; Frankenstein Jr; Priscilla; Gypsy; Cinderella; Happy Day; Cats; The Producers; Grease; Cabaret; Promise Promise; A Chorus Line; High School Musical (all Milan/Rome and Italian Tour); Pinocchio (Seoul & NYC); The Mission (Seoul); Flashdance (Stage Entertainment Italy); Rugantino (Rome, Milan and New York City).

Fashion shows include: Valentino; Ermenegildo Zegna; Krizia; Dolce and Gabban;, Il Gufo; Pal Zileri; Spyder; Neil Barret;, MM6; Capasa Milano; Elisabetta Franchi.

Awards include: Oscar Italiano Musical, Best Lighting Design 2015 (Frankenstein Jr) and 2016 (Cabaret).

Architectural & Retail: Resident lighting design for San Gottardo Church in Milano for Veneranda Fabbrica del Duomo; resident lighting design for Dolce and Gabbana Retail Store in NYC-Soho

He was Associate Lighting Designer to the Teatro alla Scala from 2009 to 2018.

Since 2006 he teaches Lighting Design to the Accademia Teatro alla Scala.

k5600design.com

CASTING DIRECTORS

Harry Blumenau & Debbie O’Brien

Film & TV includes: Tomorrow Morning (Feature Film); A Family Affair (Feature Film); Mimi’s World (Channel 5 Milkshake), Waybuloo (CBeebies); Grandpa In My Pocket (CBeebies); Beast, Type, Song (Tate Britain); The Hermit (Sea Fox Films).

West End and UK Touring includes: Thriller Live (Lyric Theatre and UK Tour); Jean Paul Gaultier Fashion Freak Show (Southbank and UK Tour); Dirty Dancing - The Classic Story On Stage (Phoenix Theatre / UK & Intl. Tour); The Choir Of Man (Arts Theatre and UK & USA Tours and Sydney Opera House); American Idiot (Arts Theatre and UK Tour); 20th Century Boy (UK Tour); Close to You (Criterion Theatre); Sinatra – A Man and His Music (London Palladium); Priscilla Queen of the Desert (Palace Theatre and UK Tour); Our House (UK Tour); Starlight Express (UK Tour); Knights of the Rose (Arts Theatre); Mum’s the Word (Albery and UK Tour); Once (UK Tour); Jackie – The Musical (UK Tour); Grease (Piccadilly, Victoria Palace and UK Tour); The Snowman (Peacock and UK Tour); Flashdance (Shaftesbury / UK Tour / Korean Tour); The King and I (Londn Palladium and UK Tour); Show Boat (Royal Albert Hall); Dancing in the Streets (Playhouse Theatre and UK Tour); The Rat Pack - Live from Las Vegas (The Savoy, Adelphi Theatre and UK Tour); Daisy Pulls It Off (Lyric Theatre); The Harder They Come (Barbican); Chitty Chitty Bang Bang (Palladium and UK Tour); Saturday Night Fever (UK Tour); Fame (UK Tour); Peter Pan and The Pirates of Penzance (Savoy); Smokey Joe’s Café (Prince of Wales and UK Tour); The Rocky Horror Show (Queen’s, Piccadilly, Duke of York’s, Victoria Palace and UK Tour); Doctor In the House (UK Tour); Mahabharata (UK Tour); Anything Goes (UK Tour); What a Feeling (UK Tour), A Chorus Line (UK Tour); A Tribute to the Blues Brothers (UK Tour).

Regional and international includes: The Man, The Music, The Show (Hugh Jackman World Arena Tour); Playboy of the West Indies (Birmingham Rep); Vanara, The Legend (Hackney Empire); Starlight Express (Bochum); Treason The Musical (Worldwide Launch); The Mozart Question, The Butterfly Lion, The Secret Garden (all The Barn Theatre, Cirencester); Aladdin (Lyric Hammersmith); We’ll Live and Die in These Towns and Propaganda Swing (Belgrade Theatre, Coventry); The Sound Of Music (Trieste); I Was a Rat!(Birmingham Rep), Room and Bubbly Black Girl Sheds Her Chameleon Skin (Theatre Royal, Stratford East); Five Guys Named Moe (Udderbelly, Edinburgh); The BFG (Birmingham Rep); The Birds and the Bees, Midsummer Songs, It’s a Wonderful Life, Little Shop of Horrors, Blues in the Night and Laurel and Hardy (all New Wolsey Theatre, Ipswich); Jersey Boys, Rock of Ages, Priscilla Queen of the Desert, Kinky Boots, Syd Norman’s Pour House (all for Norwegian Cruise Lines); Hairspray, South Pacific, My Fair Lady, Me and My Girl, The Sound of Music, Guys and Dolls, Crazy For You and Oklahoma! (all Kilworth House); Amadeus (Wilton’s Music Hall); Romeo and Juliet; The Comedy of Errors; Merry Wives of Windsor; Twelfth Night; and Only You Can Save Mankind.

Children’s casting credits include: The King and I (UK Tour); Avalanche (Barbican); Waitress (UK Tour); Kinky Boots (Adelphi); The Bodyguard (Adelphi and UK Tour); Caroline, or Change (Playhouse, Hampstead and Chichester Festival Theatre); Annie (Piccadilly and UK Tour); Show Boat (New London); The Sound of Music (International Tour); and Medea (Gate).

PRODUCER

KARL SYDOW

In 2020, Karl Sydow produced Sting’s The Last Ship at The Ahmanson in LA and The Golden Gate in San Francisco and in 2019 at The Princess of Wales, Toronto, following a 2018 tour of the UK and Ireland.

Recent theatre includes Noises Off (Lyric, Hammersmith & Garrick West End), The Light In The Piazza (Royal Festival Hall/LA Opera/Lyric Opera of Chicago), Toast (West End/UK tour), Sweat (Gielgud West End) Evening Standard Award Best Play, Valued Friends (Rose Theatre, Kingston), Invisible Cities with 59 Productions (Manchester International Festival/Brisbane Festival, Australia), since 2018, Alan Ayckbourn’s The Divide with The Old Vic and Edinburgh International Festival, David Hare’s The Moderate Soprano at the Duke of York’s Theatre, and Sketching by James Graham at Wilton’s Music Hall, as well as Red Joan, a film featuring Dame Judi Dench which premiered at the Toronto Film Festival.

Other work in the UK includes Paul Auster’s City of Glass with 59 Productions; Sinatra: The Man and His Music, directed by David Gilmore; Backbeat directed by David Leveaux; the centennial production of Under Milk Wood directed by Terry Hands; A Dish of Tea with Dr Johnson featuring Trudie Styler, directed by Max Stafford-Clark; Triptych by Edna O’Brien; Ajax (Southwark Playhouse); The Line and Jenufa (Arcola) written by Timberlake Wertenbaker; Ring Round the Moon (The Playhouse, West End). Karl has produced Dirty Dancing – The Classic Story On Stage across the UK and around the world since 2004 (Aldwych/Piccadilly, West End/UK Tours/Germany/France/Italy/ Spain/Asia/Africa/Australia); the spectacular multimedia production Sinatra at the London Palladium, directed by David Leveaux with choreography by Stephen Mear; And Then There Were None with Tara Fitzgerald (Gielgud, West End); the London and Sydney productions of Dance of Death with Sir Ian McKellen, Frances de la Tour, and Owen Teale; Bea Arthur at the Savoy (Savoy, West End); Auntie and Me with Alan Davies and Margaret Tyzack (Wyndham’s, West End); Michael Moore, Live! (Roundhouse); the West End premiere of Noël Coward’s Semi-Monde; Kevin Elyot’s Mouth to Mouth with Lindsay Duncan and Michael Maloney (Albery, West End); David Mamet’s Speed- the-Plow with Mark Strong, Patrick Marber, and Kimberly Williams; Drummers by Simon Bennet and Some Explicit Polaroids by Mark Ravenhill (winner of the Evening Standard Award for Most Promising Newcomer), both directed by Max Stafford-Clark for Out of Joint; Macbeth with Rufus Sewell (Queen’s, West End); A Swell Party—A Celebration of Cole Porter (Vaudeville, West End); Timberlake Wertenbaker’s Our Country’s Good (Olivier Award for Best Play); Hysteria (Olivier Award for Best Comedy); and an adaptation of Sue Townsend’s novel The Queen and I, which was Out of Joint’s inaugural production. With Two’s Company; Staircase, A Day By The Sea, The Fifth Column, and Bodies (Southwark Playhouse), Go Bang Your Tambourine (Finborough).

In North America, he has produced Broadway productions of The Seagull with Carey Mulligan, Kristin Scott Thomas, and Peter Sarsgaard, and American Buffalo with John Leguizamo, Backbeat directed by David Leveaux (Royal Alexandra, Toronto/Ahmanson, Los Angeles), international tours including The Last Confession with David Suchet, and Our Country’s Good the original Tony nominated Broadway production and the Out of Joint’s revival in the West End and Toronto.

SUPERVISING MUSICAL DIRECTOR

RICHARD JOHN

Richard received honours degrees in music and music education from the University of Western Australia, winning numerous awards for performance and education, including the prestigious Creative Development Fellowship (Arts Council of Western Australia) .

As Music Director credits include: Sinatra (London Palladium), Dirty Rotten Scoundrels (Savoy Theatre); Dirty Dancing (Piccadilly Theatre); Legally Blonde (Savoy Theatre); Desperately Seeking Susan (Novello Theatre); Corrugation Road (Black Swan Theatre, Australian national tour); The Small Poppies (Company B, Australian national tour); 2 Pianos 4 Hands (StageWorks, Australian/New Zealand/ Hong Kong tour) and The Midnight Gang (Western Australian Symphony Orchestra/Spare Parts Theatre, Australia).

Richard continued his association with Legally Blonde as Music Supervisor for the UK National tour and productions in Sydney, Brisbane, Melbourne and Vienna, and was appointed Music Supervisor for the UK National Tour of Dirty Rotten Scoundrels. Richard is currently a conductor of Charlie And The Chocolate Factory at the Theatre Royal, Drury Lane.

In collaboration with writer Julian Woolford, he has written musicals based on The Wind in the Willows, The Railway Children (published by Samuel French Ltd), additional music for the forthcoming release of Lionel Bart’s Twang!! (published by Josef Weinberger) and the original musical Comrade Rockstar.

Other theatrical compositions include The Centre, The Adventures of Sinbad the Sailor, The Legend of Snow White (Hayman Theatre, Australia); Kiss of the Spider Woman (Sevenoaks Playhouse); Deadly Game(Vienna’s English Theatre); Mrs Warren’s Profession, The Importance of Being Earnest (English Theatre of Hamburg) and the podcast musical Terminal Four Play (Theatre503).

Together with Julian Woolford and Andrew Niederman, Richard is currently developing a musical adaptation of The Devil’s Advocate. An album featuring the music of Comrade Rockstar is due for release in July 2016.

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CAST

CREATIVES

PRODUCERS